Information Pollution

by Strategy

supported by
/
  • Record/Vinyl

    180g blue vinyl (edition of 100)
    180g black vinyl (edition of 400)
    Full color reverse board printed jacket
    Full color reverse board printed inner sleeve

    Includes unlimited streaming of Information Pollution via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 2 days
    edition of 500 

     $20 USD

     

  • Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    24 bit download via FLAC

     $8 USD

     

1.
2.
14:02
3.
09:18
4.

about

Like some ingenious combination of John Cage's chance operations and the numbers station data stream captured on The Conet Project, Strategy's new album immerses listeners in baffling sonic waters. It's a riveting work that converts the enigmatic effluvia of shortwave and dispatch radio chatter into thrumming, static-riddled clouds of ambience. An undercurrent of unease wafts through Information Pollution's four lengthy tracks, as barely audible molecules of aural junk never meant for public consumption get repurposed into an unsettling strain of inverted chillout music.

Information Pollution was born out of restraints. After moving into a new house with little space to set up his studio properly, Strategy (Portland producer Paul Dickow) could only work with a few devices at a time. He'd acquired an old Akai reel-to-reel tape deck with tube pre-amps from his father, who'd recently cleaned out his own studio. Using radios, homemade effects boxes, and the tape deck, Strategy recorded these sound collages live to tape, without touching any synths or deploying any samples. “I discovered a lot of ghostly shortwave sounds,” Dickow says, “but also ambulance, parking, and school bus dispatch channels on forgotten frequencies that I think might have been once used for police or broadcast TV.” The result falls somewhere between Philip Jeck's eroding turntable symphonies and William Basinski's poignantly decaying Disintegration Loops.

Dickow relates that he uses the term “Information Pollution” to classify “any spam, broadcast saturation, junk mail, invasion of unwanted information [that enters] the social-emotional public realm.” As with the material Strategy created with cassette tape loops on his last Further release, 2015's Noise Tape Self, “there's a sense of machines having their own life, beyond our control.” But instead of chaos, Strategy has produced an artful alchemization of discarded tones.

Although Information Pollution sounds unlike anything in Strategy's sprawling catalog, he likens the album to his activities within Portland's '90s/early '00s experimental/noise scene. The reason he hasn't issued anything in this style till now? He wanted to wait till he was sure he'd “given it the necessary rigor and study.”

With this album Strategy has shaped the random output of radios into a gripping document. As Dickow puts it, “This is the audio equivalent of photographing the oil slicks that appear in the puddles of parking lots."

credits

released February 26, 2016

Recorded & mixed by Paul Dickow
Mastered by CGB
Artwork by Chloe Harris

tags

license

all rights reserved

feeds

feeds for this album, this artist

about

Strategy Portland, Oregon

STRATEGY is Paul Dickow, a musician, DJ, producer, and co-founder of the Community Library label. Dickow has been based in Portland, Oregon in the Cascadia autonomous region, since 1994 - Strategy recordings began in 1998 and were first released in 2002.

Your meaningful contributions here are deeply appreciated and help pay for studio rent, equipment upgrades, repairs, and recording fees!
... more

contact / help

Contact Strategy

Streaming and
Download help

Shipping and returns

Redeem code